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  • The artistic interpretation of biographical facts in L. Petrusevskaya's Ninth Volume
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    The paper deals with the interpenetrability of the boundaries between artistic prose and autobiography and documentary. By analyzing Petrushevskaya's Ninth Volume, the paper examines how the rhetorical tropes of fiction operate in a text that is essentially autobiographical in nature, mixing different genres, and how archetypal, psychological and literary patterns are projected onto the biographical material. The cyclical arrangement of texts belonging to different periods and the blending of different discourses create the figure of a special autobiographical hero reflecting on the work.

  • The Generational Narrative in Criticism of New Realism
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    135

    At the end of the 20th century, New Realism emerged in contrast to postmodern literature. The representatives of this school defined themselves in their manifestoes and critical writings as a generation with the same aesthetic and ideological principles. The anthology of New Russian Criticism, edited by Roman Senchin, is a demonstration of this common action. The present study aims to present how and what elements of this generational consciousness and cultural identity are created, i.e. how thinking about literature has changed.