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The Cult of Pushkin in the Context of Popular Literature Over the Course of a Century (1837–1937): Kalavszky Zsófia: A totális Puskin. Populáris műfajok a Puskin-kultuszban, 1837–1937 [Zsófia Kalavszky: Total Pushkin. Popular genres shaping Pushkin’s cult between 1837–1937]. Budapest, Reciti, 2024, 398 p. ISBN: 978-963-672-015-5
Views:100The publication of Zsófia Kalavszky’s monograph is a landmark event in the field of Russian studies in Hungary. In this thorough scholarly work, Kalavszky explores the nature of the Pushkin cult, offering important findings into the century following the Russian poet’s death and tracing his evolution into an iconic figure. Rather than focusing on commemorative texts by literary giants, she ventures into the realm of popular literature to track the shifts in the myth surrounding Pushkin, reflecting changes occurring in specific historical eras and within the receiving audience. The monograph conveys in-depth expertise in a way that makes it an engaging read for a broad audience.
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Boldino as a carnival topos in the film “Guard Me, My Talisman” (1986) (Preliminary Notes)
Views:319The paper attempts to interpret the Boldino topos in the film directed by Roman Balayan “Guard Me, My Talisman” (1986). It discusses the main tendencies in the reception of the Pushkin myth in Soviet culture in the period from the 1960s to the 1980s – the neoromantic attitude to Pushkin’s personality and works in the texts of the “sixtiers”, the transformations of the myth in documentary cinema, and dissident literature over the next two decades. It examines the elements of cinema poetics of the time of “stagnation” and the cinema of Perestroika in the artistic structure of the film. The carnival character of the Boldino topos in the film is traced on several levels: the resemanticization of the “Paradise” topos, the discreditation of the social hierarchy and eclecticism of poetic texts, functions of the carnival dress-up, and deviance as an ostensible feature of the characters.
