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  • Mysterious Artist with a Movie Camera - Александр Риганов:«Тиссэ. Оператор Эйзенштейна», Санкт-Петербург: Издательство «Сеанс»,2020. ISBN 978-5-6042795-1-9, 384 pp.
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    291

    This review is a content and critical review of Alexander Riganov’s book on Soviet cinematographer Eduard Tisse (1897-1961), Tisse: Eisenstein’s cameraman, which was the first monograph of its kind published in Russian. The book follows the life of the first Soviet cameraman in chronological order from birth until his last days, with the author overviewingrelevant historic and cinematographic events throughout. Thus, there are three major stories in Riganov’s book: the life and artistic path of an artist, the history of a country, and the golden age of cinematography. Several unique archival documents, e.g. letters, diary segments, photographs etc., were first published in this book. The book’s author paid special attention to Tisse’s and Eisenstein’s joint works. The uniqueness and high professional standard of Riganov’s book makes it a piece of art worthy of attention.

  • The Linguistic Organization of the Visual Text in V. Kamensky’s “Concrete Poems”: An Intermedial Analysis of the Poem The Palace of S.I. Shchukin
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    84

    The article is devoted to the analysis of the visual-poetic structure of Vasily Kamensky’s “concrete Poems,” based on the poem The palace of S.I. Shchukin. The study focuses on compositional principles, lexical-grammatical organization, and typographic features of the text within the aesthetic framework of Russian Cubo-Futurism. The application of an intermedial approach makes it possible to identify connections between poetic elements and works of painting from the collection of S.I. Shchukin. The poem is interpreted as a model of museum space, in which the text functions as a system of exhibition zones. The study reveals the dominance of the nominative principle, the reduction of verbal forms, and the synesthetic nature of imagery. It is demonstrated that typography performs a meaning-generating function, shaping the visual-spatial organization of the text.