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  • Ethnic Peculiarities and Inter-ethnic Parallels in the Traditional Material Culture of the Hungarians of Ugocsa
    233-252
    Views:
    211

    The Hungarians living in the present-day Transcarpathian region have lived peacefully for centuries together with the majority Ruthenian/Ukrainian population, as well as with the Romanian, German, Roma and other ethnic groups, who live in a similar minority to the Hungarians. Ethnographers and tourists visiting the region are convinced that these nationalities have retained the characteristics of their culture to this day. At the same time, it is worth observing how this long historical coexistence is reflected in the way of life and mentality of these people. The parallels between Ruthenian and Hungarian language and folklore, folk customs are excellent examples of interethnic relations, but I have also encountered similar examples when researching the traditional material culture of the villages in Ugocsa. In the field of folk architecture, for example, the gate called tőkés kapu, as well as the abora, aszaló [the dryer] and the barn. Interethnic phenomena between Hungarians, Ruthenians and other nationalities of the region can also be observed in folk costumes (the guba, or the shoes called bochkor). Throughout history, in Transcarpathia, which belonged to different state formations, it was noticeable that culture was not strictly tied to peoples. Thanks to the tolerance shown towards each other, the nationalities of the region have preserved their ethnic and religious characteristics and identity, but we can also find many similarities in their cultures. When studying the interactions that mutually enrich each other's culture and provide a colorful and attractive image to the region, it is often impossible to find out who borrowed from whom and when. During the ethnographic research of the local communities, the main point is to take into account the ethnic interaction of the nationalities living here, as the folk culture of the local Hungarians is determined by the aggregation of the cultures of different ethnicities.

  • Folk Dress Revitalization as a Component of Language Revitalization: The Case of Wilamowice
    179-204
    Views:
    242

    Although the main goal of language revitalization is keeping a language alive, the expression of ethnic identity and belonging is not exclusively limited to the linguistic phenomenon. In the case of Vilamovians – a small ethnic group living in the town of Wilamowice on the border of Upper Silesia and Lesser Poland, language revitalization has been supported by a group of people wearing the Vilamovian folk dress. This was accompanied by greater engagement of young people learning the Wymysorys language as well to other elements of Vilamovian culture, including the folk dress. In this case revitalization does not mean copying old patterns, but reviving its importance for local community. The Vilamovian folk dress is not limited to the costume of local dance ensemble, it is crucial for ethnic belonging of Vilamovians. The patterns, styles or words (in the case of the language) were less important for them. The reconstructed elements or even whole sets of dress, e.g. the mourning dress, different types of wedding dress and the whole male dress do differ from the historical ones. The ethnographers should not criticize this situation, as it used to be in the past, but focus on their choices and motivations connected to their ethnic belonging. In this text, I have tried to show that the reconstruction/revitalization of a folk dress could proceed in a specific way if combined with language revitalization.

  • Alligators in the Sewers: Urban Legends about Terrifying Animals and Frightening Places
    7-29
    Views:
    320

    The aim of the present study is to provide an overall picture of the nature of urban folklore using the “Alligators in the Sewers” urban legend type circulated in both the Hungarian and international press and by word of mouth. While contemporary legends have attracted only sporadic attention in Hungarian research to date, by illustrating the historical development of this legend type the aim of the present case study is to demonstrate how the phenomenon has existed in the Hungarian press for almost 200 years.

    The present study attempts to identify the kind of opportunities for interpretation offered by these stories in the field of folkloristics; the extent to which they are relevant beyond their literal meaning; and the ways in which they shed light on modern-day understandings of the world. Giant reptiles that are not indigenous to Europe are terrifying to the average individual, while at the same time they evoke a yearning for the natural world in city dwellers trapped amid concrete walls. Urban sewers and storm drains hold similar terrors: on the one hand, they are there to remove filth and symbolize the more unsavory aspects of urban life, while on the other hand their hidden presence beneath the ground offers ample opportunity for the projection of numerous fantasies. Animals that lurk in the sewers, from where they emerge to attack people, are manifestations, contained within simple, traditional narrative frameworks, of the murkiness of highly structured societies and of the sense of danger that this opacity engenders in us. The emergence and persistence of such stories can be attributed to a number of social practices, such as circuses, sideshows, and the keeping of reptiles as pets, along with the respective press reports and rumors.

  • Remain of a Dialect in an Urban Cultural Medium by Means of Folk-tales: Role of Some Tale-tellers of a Hungarian Ethnic Group Székelys of Bukovina in Hungary
    31-46
    Views:
    134

    The aim of the paper is to show the role that storytellers can play in the transmission of traditions, identity and dialect today. The paper focuses on a Hungarian ethnic group: Szeklers of Bukovina settled in Hungary in 1945. The main aim of this paper is to present the function of dialects in tales and tale-telling after the change of traditional peasant way of life and dialects. In Bukovina this ethnic group was isolated from the Hungarian mother-country and the majority of Hungarians, their cultural and language changes did not reach them, therefore the members of this ethnic group could retain their traditional culture and dialect. However, in Hungary they were settled into 38 settlements, thereby their original communities broke up. The dialectal and sociolinguistic data of this paper comes from the storyteller’s websites, written and oral personal stories, the text and sound-recording of folk-tales, and also data of formal dialectal researches of this ethnic group is used. This paper presents an analysis of some storytellers who use several dialect elements of this ethnic group, besides the role of dialects in tale-telling is studied too. It is an important aspect of this analyse how some storytellers utilize their dialect in tales and during tale-telling, and why they usually use it. The results of research present that these storytellers can use dialect elements in different ways in their tale-telling. The main conclusion is that use of a dialect can be a part of language education, a dialect is an identity marker, and by the help of it a storyteller can create a pictorial experience during the tale-telling, besides it can be a source of humour too. 

  • Marginalized Texts of a Glorified Genre: The Valorization of the (Folk)tale in Hungary
    23-42
    Views:
    322

    Attention towards and interest in the genre of the tale began rather belatedly in Hungarian culture. The paper provides a concise overview of the history of assigning value to this narrative genre: how it transformed from a trivial genre of idle amusement of the uneducated people into a precious cultural item that is an essential part of national heritage being safeguarded and studied from a number of perspectives. Parallel with the rise of the genre, a decline of the earliest known tales has taken place due to certain authenticity criteria retrospectively applied by newly formed disciplines as well as the standardization and naturalization of a specific mode of narration.

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