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• The New Challenges and Situation of an Ethnic Minority within a Local Community in the Light of Social Changes

  151-177

  Gyöngyi Kormányos Katona

  Views:

  79

  Our memory is largely shaped by the way we look at the peoples currently living within the Carpathian Basin. Once a well-known tobacco-growing village in Historic Hungary, Torda (also known as Torontáltorda in Hungarian) is now a dispersed settlement with a Hungarian ethnic majority located in the Banat region of Vojvodina, Serbia.

  The shifting of national borders, the two World Wars, the events of the Yugoslav Wars and migratory movements have collectively changed and decimated the lives of Hungarians who had found themselves outside their motherland’s borders after the 1920s.

  In spite of the decline in population, the emigration of young people, and the everyday struggles resulting from hard living conditions, this village in the Central Banat district could attract further socio-ethnographic interest. In the micro-communities of rural settlements, education and religion play a key role in creating social value, maintaining Hungarian culture in the area and forming a national, local sense of identity within the community. Commemorative rituals, local traditions and national holidays often cross each others’ paths and blend together through education and religion, highlighting the reality and cultural values of the community, as well as the array of connections between community life and ethnic culture. This study discusses Torda’s present in the light of social change and the process of cultural mapping, touching on the importance of the local cultural association in the community’s life. This study also explores the events of the past few decades that have left a deep imprint on the micro-community’s life in a cultural, social and ethnic sense.

• Posthumous Culture of Montenegrins on a Timeline between Past and Present : The Pattern of Behavior

  33-53

  Milena Medojevic

  Views:

  125

  Montenegro is a country with a valuable and long tradition of everything related to life, especially death. Posthumous culture is remarkably detailed and significant for the people, most importantly in the earlier period when it represented the only foundation that held society together in difficult historical moments. This type of partially morbid way of self-expression of people has its roots in the deep and troubled past, often difficult and cruel to the inhabitants of Montenegro. The attention was pointed at the many traditional aspects, unwritten rules, and customs different from place to place, but in general, preserving the same function. From the type of clothes for the deceased, the eulogies uttered at the gravesite, to the male and female roles at the commemorations – the article handles the typical funeral processes. The aim of this paper is to acquaint the reader with the manner of behaviour of the Montenegrins towards the phenomenon that occurs when a person in the community dies and how a typical family handles the situation. For the sake of the research, interviews with two subjects providing their own perspectives were conducted. The significance of the study is personified by the sometimes contradictory stances of the people on death and the inevitable merging of secular and religious life.

• The expulsion as historical turning point in the religious and cultural life of the German-Hungarian village Budaörs/Wudersch?

  87-118

  Viktória Muka

  Views:

  180

  The expulsion of the German minority in Hungary at the end of World War II started on the 19th of January 1946 in the small village Budaörs/Wudersch close to the capital Budapest. The village has become well-known in the interwar period for its flower carpets prepared for the feast Corpus Christi, made by its German-speaking population until over 90% of the inhabitants were forced to leave the country for the American occupation zone of Germany, a moment that has been long established as the historical turning point in the history and culture of the German minority in Hungary. The expulsion thus divides the tradition of making flower carpets for Corpus Christi into two eras. Previous research has often struggled with connecting these two eras with each other, when analyzing the development of the feast. The main goal of the research paper is to describe the situation of the Catholic Church in Hungary in the times of transition to Socialism, both on national and local level and to deconstruct the idea of the year 1946 being the one and only possible turning point when considering the changes in the tradition. A newly found source in the Esztergom Primatial Archives, an album with photos taken of the flower carpet in 1948, a present made for Cardinal Mindszenty, shows that the route of the procession has stayed the same, although changes in the number of observants and the lack of women wearing the traditional costume of Budaörs can be observed. These findings demonstrate a continuity of tradition and village life, straddling the supposed divide, and hence suggest a re-interpretation of the feast’s significance as demonstration of the catholic inhabitants’ resistance to the slowly establishing soviet system.