This paper examines a series of anthropomorphic maps depicting Europe in the form of a woman, now collectively referred to as Europa Regina. The first such map was created by Johannes Putsch of Innsbruck (1516–1542) as a visual accompaniment to his poem Europa Lamentans, dedicated to Archduke Ferdinand I of Habsburg and his brother, Charles V. The concept gained widespread popularity through adaptations of Putsch’s map, including a more detailed version by Matthias Quad and Johann Bussemacher, printed in Cologne in 1587, and two smaller, simplified versions featured in Heinrich Bünting’s Itinerarium Sacrae Scripturae (1587) and Sebastian Münster’s Cosmographia (1588).
Previously, the earliest known version of Putsch’s map was thought to have been printed in Paris in 1537. However, in 2019, an earlier edition printed in 1534 – now kept in the Retz Museum in Lower Austria – was (re)discovered. Along with describing this map and the circumstances of its rediscovery, this presentation will examine the representation of the south-eastern regions of the European continent in Putsch’s map and its derivatives. It is suggested that Putsch, in addition to drawing from Ptolemaic geography, was probably familiar with Lázár Deák’s Tabula Hungariae (1528).