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  • Le pied de Sérapis de la sculpture à l’intaille : étude d’un thème isiaque caractéristique
    107–128.
    Views:
    149

    The so-called foot of Serapis sculptures (i.e. those in the round with a bust of Serapis directly on top of a right foot) are well known and studied. Nevertheless, it was still necessary to take into account the representations of this motif in other media, such as gems and coins. And that is precisely the purpose of the present paper. In the following pages, these images are analyzed in the iconographical context of their period (1st and 2nd centuries CE). Such an approach allows us to observe the development of the motif in the different materials. In addition, this analysis will help us better understand the meaning of this image, and also to formulate some theories concerning the possible uses of these gems.

  • Apollo Propugnator, Diana Victrix: Erscheint die Militär und Siegesthematik bei den Darstellungen der Götter Apollo und Diana in der Münzprägung der Zeit der Soldatenkaiser (235-284/285 n. Chr.)?
    115–134
    Views:
    88

    The figures of Diana and Apollo are frequently represented in Roman coinage. Such is the case in the soldier-emperors’ era, when one finds different representations of them both. They are depicted in various poses with altered attributes, while the gods are often named differently in the legend on the reverse. My article focuses on those types where the gods are not only displayed with weapons (bow and arrow) but also with legends connected with fighting and winning: Apollo Propugnator, Diana Victrix. I took a closer look at the figure of Diana and realised that she is represented as the goddess of hunting: she does not fight but protects hunters and ensures the success of hunting. The Apollo Propugnator type is a version known from the local coinage of Eastern Greek cities; this type is appropriated temporarily by imperial propaganda, but does not have an enduring role. In the cases of Diana and Apollo the military theme is impermanent and secondary; nor does it have an important impact.