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• On the meaning of disjunction and conjunction in Lermontov’s The Demon

  Katalin Kroó

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  17

  The paper analyzes Lermontov’s verse narrative (poema) The Demon by focusing on some clear-cut binaries, representing and suggesting, as their primary meaning, dichotomic pairs related to the system of literary characters (the Angel or Tamara vs. the Demon), evaluative concepts (e.g. good vs. evil), and notions comprising ideological views (the celestial, the earthly world, or the netherworld). The interpretation takes a distance from these definitions, examining the poetic modes of neutralizing and removing the dichotomies in the text by weakening the semantic motivation for setting and interpreting the binaries; the emergence of mono-dualistic antinomy, and the creation of equivalences of motifs and constructs of reverse symmetry with the transformation of their reference. Resulting from these strategies for meaning generation in Lermontov’s text, a shift from an axiological conceptualization of the world to the literary model of the human existential experience of the soul can be traced.

• World Model in the Novel “One Day in the Life of Ivan Denisovich” by A.I. Solzhenitsyn

  7 p.

  Viktoriya Kondrateva

  Views:

  330

  The paper deals with the world model and ways of its creation in a novel “One Day in the Life of Ivan Denisovich” by A.I. Solzhenitsyn. In the process of world-modeling following basic categories are of a great importance: native-strange, light-darkness, principle of 3 levels. The space of camp is characterized by features of a strange world. Native world is narrowed to the boundaries of hut, bed and even to a hole in a mattress. World organization is also realized with the help of a system of prototypical images, e.g. a table, bread, sun, a stove, etc. Due to this concepts, which have hierarchic values, are formed. Solzhenitsyn achieves generalization following a peculiar way of depicting of a group of characters which can be conditionally called “convicts”. There we can see different social layers, nationalities, ages. It has metonymical nature: according to the principle “a part of the whole” the fate of the entire country is shown. In terms of sense complex “human-being – environment – their interaction” the world model in A.I. Solzhenitsyn’s novel has “human”, natural and social levels in its structure. The writer compresses time and space, satiates it with details, which are different in semiotic power of generalization, and as a result he receives solid world model.