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• The Emigré Writers of the Empire : Other Coasts of Russian Literature and Culture: Ideas, Poetics, Contexts. Collective Monograph. Eds. Elżbieta Tyszkowska-Kasprzak, Ilona Motiejunaite and Alfija Smirnova in cooperation with Maria Gej. Scriptum, Wroclaw ‒ Krakow 2021, p. 494 ISBN 978-83-66812-37-6

  Lajos Pálfalvi

  Views:

  119

  This volume of studies on Russian émigré literature was published during the last year before the war in a form of scholarly cooperation between Polish, Russian, Ukrainian, and Czech scholars unthinkable today. The theme of joint research makes the work even more interesting, because Poles have a very different understanding of the mission of émigré writers than Russians. In the first chapter of the monograph, entitled The History of Emigration, we find interesting biographical portraits of prominent figures such as Alexander Herzen and Gleb Struve. In the next part we read mainly about ideological problems and ethnic stereotypes. The third chapter focuses on the problems of poetics, and the last on heterotypes. The aspects of the analyses also touch upon the poetics of space and imagology.

• The Hungarian reception of Dostoevsky until the 1920s in the context of European and Hungarian Modernism

  Ágnes Dukkon

  Views:

  76

  This paper deals with the questions Dostoevsky’s reception in Hungary in the late 19th and early 20th centuries. The author investigates the growing interest in Dostoevsky in the context of the new trends of art and literature and gives a detailed survey of the most characteristic reactions (i.e. reviews, studies, introductions to books) about the new translations and editions of Dostoevsky’s works. Among the most relevant questions addressed arestereotypes about Russian culture and people, living in Hungary duringthe past centuries, the various interpretations of Crime and Punishment, and some comparative aspects in the analyses of this novel.

• Censor Nikolay Ratynsky’s Role in Russian Journalism of the Second Half of the 19th Century

  12 p.

  Dmitriy Mazalevskiy

  Views:

  200

  Recently, the political climate in Russia has caused the question of censorship to become
  an increasingly relevant issue, the history of which is necessary to explore and understand.
  The prevailing view regarding censorship is that it is a tool used to suppress the freedom of
  speech by stifling the writer’s thoughts. However, there were some eminent censors such as
  the poet Fyodor Tyutchev and the writer Ivan Goncharov. In this regard, it has become commont
  to consider censorship isolated from any moral categories and interpret g it only as a
  professional activity. In this context, the work of the censor Nikolai Ratynsky is of particular
  interest to us. Until now, little has been published on his influence as a censor on the writers
  of his time on the high professional level of his work in this capacity. Most of the corrections
  Ratynsky made were valid and justified by the political situation in the Russian Empire. He
  himself is further proof that, along with Tyutchev and Goncharov, there were honorable and
  qualified men among the censors of the time. All this allows us to claim that it is necessary
  to objectively consider and study the work of censors and ignor preconceptions and stereotypes
  that are usually associated with the word censor.

• Turgenev Today: On the Problem of Perception

  17 p.

  Irina Belyaeva

  Views:

  212

  The article deals with the question of how Turgenev’s work is perceived by the modern
  reader. There are identified aspects related to the complexity of understanding the writer’s
  texts, which are largely due to stereotypes that have developed in the culture of perception,
  and are also features of his poetics. There are different ways of new interpretations of Turgenev’s
  famous texts – those of the novels “Fathers and Sons” and “The Noble Nest”. In “Fathers
  and Sons” the idea of reconciliation with contradictions is emphasized, and ‘The Noble’s
  Nest” is considered a successful social project in literature. The article briefly highlights
  the main stages of Turgenev’s popularizing Russian culture in the West.

• The Audience of Art: Myth and Reality

  13 p.

  Alexandr Ushkarev

  Views:

  178

  Interest in the audience arose while art became public and since then it has not weaken, rather it has become more and more special. For more than a century the audience of art has been the subject of systematic scientific research. Why then is the problem of the relationship between art and its audience becoming once again a topical issue? The consequences of the civilizational shifts in the last decade have clearly shown: the things that have for a long time been considered true suddenly turn out to be illusive or banal in the changing world. In the modern market paradigm of the artistic culture development, the problem of the relationship between art and its audience acquires a new sound. A theater, a museum or a concert organization needs not the social and cultural portrait of the spectator, but an understanding of the causes and characteristics of its consumer behavior in the wider context of cultural life. And the first step to overcome the communication barriers between art and its potential consumers should be the abandonment of stereotypes and outdated research approaches.