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• «Doktor Zhivago» and Leonid Pasternak

  Natalya Ivanova

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  137

  In this article, we analyze the transformation of values in the literature and art of the first half of the 20th century through the creative strategies of two closely linked people: the poet Boris Pasternak and his father, the painter Leonid Pasternak. An academician of painting, Leonid Pasternak renewed the traditions of realism, being in close contact with Leo Tolstoy while working on the illustrations for Tolstoy’s novel “The Resurrection”. Having made a creative journey from the movement of “peredvizhniki” (“the Itinerants”) toward Impressionism, he did not accept the newest trends, as opposed to his son who had undergone a long period of fascination with Futurism, as well as the influence of Modernism. This conflict of aesthetics lost its poignancy with the passing of the years and with the geographical distance (Pasternak the father having emigrated in the beginning of the 20s). Thus, Boris Pasternak returned to the poetics of the classical Russian prose in his novel “Doctor Zhivago.” But the Christian values on which the conceptual basis of the novel rests, remained unknown to the father, who had passed away just before his son began working on the novel. The result was the novel itself with its covert subtextual influence and the polemics of the son and the father, the poet and the artist.

• Hero of Contemporary Russian Prose: Anna Skotnicka, Szczelina. Bohater współczesnej prozy rosyjskiej i jego światy, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2020, 335 s. ISBN: 978-83-233-4771-2

  Elżbieta Tyszkowska-Kasprzak

  Views:

  117

  The text contains a review of the monograph by the Polish literary critic Anna Skotniсka A fissure: A hero of contemporary Russian prose and his worlds. The author considers incompleteness, absence, and insufficiency as a property of the existence of the character of the works of Russian writers of the late 20^th to early 21^st centuries. The sources of this problem, according to Skotnicka, can be seen in the state of disintegration of the social, psychological and mental image of the world in a changing reality, especially historical changes: the collapse of the Soviet Union, as well as political, cultural and social transformations. With these phenomena, the Polish literary critic also connects the concept of chaos, which is characteristic of the postmodern perception of the world as disunited, incomprehensible, alien in relation to people. Skotniсka considers these problems based on the works of Mikhail Kuraev, Svetlana Aleksievich, Roman Senchin, Lyudmila Petrushevskaya, Lyudmila Ulitskaya, Vladimir Makanin, and Mikhail Shishkin. The author refers to the current achievements of the humanities, especially philosophy. The work is innovative and stimulates reflection on the state of the modern human.