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  • The Theory of Metaphors in Contemporary Literary Studies
    17 p.
    Views:
    183

    This article is designed as a brief overview of the methods of how metaphor is defined in contemporary scholarship. In the discussion of the similarities and differences of the basic Russian and Western poetic, philosophical and logical approaches to metaphors are compared to each other. Besides, Hungarian comprehensive syntheses and reconsiderations of metaphors are also touched upon. Finally, suggestions are made as to which aspects of literary studies and linguistics can be used in the analysis of the system of tropes in literature.

  • Trans-Disciplinary Methodology: Procreation Capital as a Basic Factor in the Viability of a Civilizational-Cultural Unit
    12 p.
    Views:
    170

    The main problem raised in the paper is in line with a new trend of research, conceptual programs and practical activity that can be termed “hygiene of culture”. The study is transcritical in its character and proposes to consider the category of capital generated by the economy in relation to the reproduction of the population in its structural units of civilization and as a cultural community. Trans-discipline methodology is currently being developed, which makes the work is up-to-date. It develops basic aspects of the procreation capital category, which claims to be a generalization of the human capital category. The problem is the restoration of European culture, which has been eroded by the distortion of the ideas of market economy. The reason why it is particularly urgent to find a solution to the problem is the threat posed by the demographic situation of the developed countries of European culture and the adjacent countries of the Slavic-Orthodox cultural cluster by the actual organization of housing.

  • The System of Comparative Tropes in «Aviator», a Novel by E. Vodolazkin
    11 p.
    Views:
    300

    The article discusses the functioning of metaphors and similes in the text of E. Vodolazkin’s novel «Aviator». The tropes are divided into two groups: conceptualizing tropes and non-plot-forming ones. The main semantic types of comparative tropes are noted as proceeding from «tenors» and «vehicles» of metaphors and similes. It is shown that the tropes interact with each other and form a system in the text.
    Emphasis is put on the dynamism of metaphors and similes in the novel: they regularly reflect the hero’s changing perceptions. Comparative tropes play an important role in the unfolding of the key motifs of the novel and are associated with its various temporal and narrative plans.

  • Artefact Metaphors and Similes in Modern Russian Prose
    Views:
    220

    The article deals with comparative constructions (metaphors and similes) that include images of artefacts. The analysis involves the works of modern Russian prose writers such as A. Ilichevsky, E. Vodolazkin, O. Slavnikova, M. Shishkin, A. Volos, D. Bykov, D. Rubina, D. Glukhovsky, A. Makushinsky, S. Sokolov, V. Pelevin and others. It is concluded that modern Russian prose is characterized by the intensive use of artefact images as part of comparative constructions. The most common are metaphors and similes including the names of household items, fabrics, as well as machines, mechanisms, and their parts. These figurative means characterize, first of all, a person, parts of the human body, appearance, and people’s actions. Artefact comparative tropes giving a figurative description of various objects of nature are also widespread. Both traditional and new tropes including the names of artefacts in modern prose are discussed, in particular, the use of computer terms and names of new realities that have appeared relatively recently. A feature of modern prose texts is the regular use by writers of concretization and detailed transformation of images of comparison involving definitions of different types. Artefact metaphors and similes often act as key signs of the text and play a conceptualizing role in it.

  • New Trends in the Use of Metaphors and Similes Including Names of Food in Modern Russian Prose
    Views:
    172

    The article discusses metaphors and similes including culinary vocabulary, functioning in modern Russian prose. The purpose of the article is to identify new trends in the use of such figurative constructions in modern prose compared with the previous period in the development of Russian literature. The work outlines the main thematic groups of names of food and drinks used in prosaic texts, and notes changes in their composition and character. New elements in the semantic classes of «vehicles» of metaphors and similes are also revealed. A tendency towards the differentiation and concretization of images of comparison, which is characteristic of modern prose, is noted, and the means of its implementation (specific names and qualifying definitives) are described. The article considers new subjects of comparison and figurative parallels used in modern prose texts.

  • Zoomorphic Metaphors and Similes in the Modern Russian Prose
    17 p.
    Views:
    315

    The article represents the main circle of zoonymous images common in the modern Russian prose, they are classified into thematic groups of the “Animals” class, the most frequent vehicles of metaphors and similes are identified, the circle of tenors is outlined, distributed according to the relative frequency of use in literary texts. By means of comparison with the traditional images of the class in question, presented in the dictionary of metaphors and similes of the previous period of the Russian literature, and with the figurative uses of zoonyms in the Russian linguistic world image based on materials of linguocultural dictionaries, the main directions of evolution of zoomorphic tropes in modern Russian prose are determined. Some aspects of textual functioning of zoomorphic tropes are studied: individual preferences in choosing their groups, their conceptualizing role in the text. The results of the study make it possible to get an idea of ​​one fairly significant fragment of the figurative world image of the modern Russian prose.