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• Angelika Molnar: Text, Genre, Word: Studies in Russian literature of the 19th–21st centuries. Moscow, Azbukovnik 2022, 424 pp. ISBN 978-5-91172-221-0

  Irina Belyaeva

  Views:

  181

  This review contains a critical analysis of Angelika Molnar's new book, her monograph entitled Text, genre, word: Studies in the Russian literature of the 19^th-21^st centuries is devoted to various texts of different eras from Pushkin’s to Sorokin’s, however, the focus of the study is Molnár's favorite Russian writer, Goncharov, whose work, unfortunately, rarely attracts the attention of Western researchers. In Molnár's book, the main, clearly indicated methodological principle is discursive poetics, which works well when studying intertexts within the framework of both large and small literary and historical series. Therefore, Russian literature is considered by the researcher as a single text in which the "old" is updated by the "new". The review emphasizes the significance of the monograph, which first of all offers an up-to-date interpretationof Russian classics in the context of modernity. The book will be of interest both to a professional researcher of Russian literature and to everyone who is interested in Russian culture and the Russian worldview.

• Between Mystery and Riddle: From Narrative Strategy to Literary Genre

  9 p.

  Olga Fedunina

  Views:

  127

  In the paper a difference is made between the mysterious and the enigmatic as fundamentally
  different narrative and genre strategies. The first is typical of the so-called novelmystery
  or the novel-myth, charcterized by the concept of impossible rational comprehension
  of the mystery explained by the plot. The second represents a vast field of criminal literature,
  where the plot is dependent on a riddle that has a pre-given answer. The differences between
  these two types of novels are manifested at all the main levels of poetics, especially in the
  specific traits of the subject-oriented organization. However, the paper shows that the general
  strategy of the mysterious is also implemented through different moods in different criminal
  genres such as classic detective stories, the police novel, the “adventurous investigation”, and
  the “victim-centered investigation”. Thus, we can conclude that the mystery and the riddle
  can reassemble genre constructive strategies not minus then narrative.

• Between Cyborg and Larva: A Vicious Circle That Human Beings Experience in the Post-humanist Era

  8 p.

  Andrey Chukurov

  Views:

  185

  The article reveals the reasons for and specific features of the transition to the posthumanist
  era. The author of the study reviews the criticism of classical humanism and analyzes
  the relationship between the concepts of "trans-humanism" and "post-humanism." In a
  situation in which a permanent identity is impossible and people move to a “current” “unstable”
  identity, the Imaginary becomes the main guideline for the self-identification process.
  Human beings are unable to cope with the challenges of our time and are aware of their own
  inferiority. That is why they are trying to improve themselves through the available body
  modifications. However, this process gives them a new panic attack over the potential loss
  of control over the body. Analyzing these processes, the author turns to the most controversial
  and specific phenomenon of popular culture – "body horror". This genre reveals the deep
  layers of consciousness, fears and insecurity of human beings in the post-humanist era.

• From the Classic Novel to the Crime Novel: A Genre Paradigm Shift in Artistic Reception

  Olga Fedunina

  Views:

  68

  The article deals with the cases of classical works completion, in which their genre nature undergoes a change. The texts are transferred from the sphere of high literature to the low one, as the continuing of the plot with the criminal line becomes the main method. The material for the analysis is “The very same Tatiana” by A. and S. Litvinovs, as well as the novel “Death Comes to Pemberley” by P.D. James. I show that one of the most relevant genres in this change of genre paradigm is “by victim investigation”, which allows to retain some recognizable items of the classic primary source.

• Peculiarities of the Historiosophic Content of M. V. Lomonosov's Odes for The New Year 1762 and 1764

  Aleksey Petrov

  Svetlana Rudakova

  Views:

  167

  The paper deals with the formation of artistic historiosophy in the Russian literature of the 18^th century. The main attention in the study is focused on the odic works of M.V. Lomonosov. The research demonstrates that in his odes Lomonosov used not only constant historiosophemes and ideologemes obtained from the general storehouse of philosophical, historical and political knowledge of his time, but also his own historiosophemes. The analysis of the two insufficiently studied M.V. Lomonosov's works – "… on Accession to the Throne and for the New Year 1762" and "… for the New Year 1764" – shows that an individualized historiosophic concept was developed in them. The range of Lomonosov‘s main historiosophic ideas is revealed, for example, summing up reign, the prosperity of Russia under the power of the House of Romanovs, "golden times", the dying and reviving god, and generally useful work for the benefit of Russia.