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  • Global Culture: Discursive and Social Practices
    10 p.
    Views:
    345

    The dynamics of modern society development is directly proportional to changes in its culture. In the discourse of global culture, there are many supporters of its real presence, and many opponents who claim that such a phenomenon does not exist in principle. The article considers various polar points of view. Arguments are presented that confirm the existence of a global culture formed as a result of multiple cultural contacts, including cultural tourism. Digitalization has become a new impetus for the development of global culture, which has large-scale ways to spread the achievements of world culture in General, and art in particular, to the population of the planet, regardless of location. Digital formats have proven their worth in specific social practices.

  • Culture in Digital Format
    12 p.
    Views:
    233

    The article analyzes the changes in traditional culture triggered by technologies and development of its new formats as a result, such as clip culture, screen culture, culture of computer games, etc. It touches upon the influence on culture of the personal computer and other numerous digital devices, in particular the Internet, artificial intelligence, computer graphics, and virtual reality. Traditional means of communication (books, photographs, audio and video recordings, digital TV, etc.) that are most influenced by digital technologies are also discussed. As traditional culture is losing its original features that emphasize the difference between different peoples, societies and their individual characteristics, all these processes are extensive, generating not only progressive, but negative trends. On the one hand modern culture has become accessible to everybody, on the other hand, it has lost the «romance» of personal communication. The article points out that nowadays the investigation of culture in digital format does not primarily mean analyzing its phenomena and artifacts in themselves. It is rather a matter of monitoring further transformations and contributing the unique features of traditional culture preservation, without diminishing the importance of digital technologies as a whole in society.

  • The Cultural Heritage of the Ancient Russian City of Yelets
    Views:
    163

    This article provides scholarly evidence the small historical city of Yelets as a potential cultural heritage site in the context of its socio-cultural significance for the state, society and the local community. The paper overviews the results of a comprehensive sociological study of the issues of the cultural heritage of this ancient Russian city. The issues of the cultural heritage of Yelets is considered from the perspective of internal and external identification processes which transformed it and make it lose its unique urban identity. For the analysis of cultural heritage, the types of identity of the city are identified: historical and cultural, visual and spatial, socio-psychological and communicative spatial. The main factors of the identification processes of the city are analyzed, such as urban identity, history, culture, social interaction and language.

  • Cultural Policy of Russia and Hungary: Modern Discourse and New Actors
    11 p.
    Views:
    232

    The authors of the article argue that contemporary cultural policy discourse is in the focus
    of attention of scientific communities, social and political organizations and government institutions.
    It represents a sort of symbolic struggle and nominations and has necessitated a
    new approach to cultural policy structuring. The article shows that this necessity is demonstrated
    by the development of cooperation between Russia and Hungary in terms of cultural
    sectors and cultural heritage. Expert communities and non-governmental organizations are
    becoming significant elements in the structure of cultural policy subjects. The association
    “For Hungarian-Russian cooperation named after Leo Tolstoy” has become such a key issue.
    The authors of this article attempt to highlight the most essential contemporary issues in
    the sphere of cultural policy in general and in relation of two separate countries – Russia and
    Hungary – through the scientific project “Hygiene of culture”.