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• The Function of the „Author’s Mask” in “The Soul of a Patriot or Various Epistles to Ferfichkin” by Yevgeni Popov

  Annamária Vass

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  350

  Playing with the author’s figure is not a new device in Postmodernism. One may refer to “Either/Or” by Søren Kierkegaard or “The Tales of the Late Ivan Petrovich Belkin” by Alexander Pushkin, or “The Fiery Angel” by Valery Bryusov. At the same time the foreword of “The soul of a patriot or Various epistles to Ferfichkin” proves that in Postmodernism this game is taken to the next level. The author who abandoned their fictional space and renounced theirauthorial role during Modernism returns and re-takes their formal place. However, he does not do it seriously but hiding behind the mask of the author – says Malmgren, introducing the term of the author’s maskinto literary discourse. In this analysis I state that Popov, using the author’s mask, turns the traditional interpretationof the author’s role inside out.  I conclude that, on the one hand, the author’s mask ridicules the concept by which the author’s biography is the key to his work. On the other hand, it makes fun of Vinogradov’s view, according to which there is always an abstract author hiding in the text who carries its real meaning. I come to the conclusion, that Popov uses this narrative technique to emphasise that it is impossible to look at a literary work as an arsenal of ultimate truths and statements. 

• Hero of Contemporary Russian Prose: Anna Skotnicka, Szczelina. Bohater współczesnej prozy rosyjskiej i jego światy, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2020, 335 s. ISBN: 978-83-233-4771-2

  Elżbieta Tyszkowska-Kasprzak

  Views:

  277

  The text contains a review of the monograph by the Polish literary critic Anna Skotniсka A fissure: A hero of contemporary Russian prose and his worlds. The author considers incompleteness, absence, and insufficiency as a property of the existence of the character of the works of Russian writers of the late 20^th to early 21^st centuries. The sources of this problem, according to Skotnicka, can be seen in the state of disintegration of the social, psychological and mental image of the world in a changing reality, especially historical changes: the collapse of the Soviet Union, as well as political, cultural and social transformations. With these phenomena, the Polish literary critic also connects the concept of chaos, which is characteristic of the postmodern perception of the world as disunited, incomprehensible, alien in relation to people. Skotniсka considers these problems based on the works of Mikhail Kuraev, Svetlana Aleksievich, Roman Senchin, Lyudmila Petrushevskaya, Lyudmila Ulitskaya, Vladimir Makanin, and Mikhail Shishkin. The author refers to the current achievements of the humanities, especially philosophy. The work is innovative and stimulates reflection on the state of the modern human.

• Scientists in Lyudmila Ulitskaya’s Novels

  Tünde Szabó

  Views:

  308

  This study focuses on a characteristic type of hero in Ulitskaya’s works and analyses the image of the scientist heroes and their poetic functions in three of the author’s novels (The Kukotsky Enigma, The Big Green Tent and Jacob’s Ladder). These heroes represent a special kind of syncretic thinking. Firstly, in their conversations and debatesthe genre code of the Socratic dialogue is activated, as Mikhail Bakhtin described it in connection with the development of the polyphonic novel. Secondly, these heroes, who always appear in pairs, invoke the duo of Don Quixote and Sancho Panza, as well as certain characteristics of “Quixotism”, which has a central role in the critique of the role that intellectuals have played in Russian culture. It is against the above background that the role of 20th-century intellectuals gains a new interpretation in Ulitskaya’s three novels.

• Litvins as a Medieval Baltic-Slavic Ethnic Group in Kastuś Tarasaŭ's Novel “The Pursuit of Grunwald”

  Victor Khalipov

  Views:

  81

  Ethnically colored characters based on stereotypical representations of different peoples occupy an important place in the fiction of any nation. At the same time, works of art may depict not only representatives of modern nations, but also those of ethnic groups that have now disappeared, and sometimes even those that never existed at all. A special literary discipline, imagology, is concerned with the study of this issue. In contemporary Belarusian literature, the Litvin ethnotype occupies an important place, as it is a relevant component of certain types of modern Belarusian identity. Its presence is particularly noticeable in works on historical themes. One such text, significant for the national literary tradition, is Kastuś Tarasaŭ's novel The Pursuit of Grunwald (1986), thematically devoted to the Battle of Grunwald in 1410 between the combined forces of Poland and Lithuania and the knights of the Teutonic Order. In this work, the imago of the Litvin occupies a fairly clearly defined position as the self-image, serving to describe his own people and his homeland in the past, in relation to which characters of all other nationalities are positioned as hetero-images. In Kastuś Tarasaŭ's work,  Lithuanians are a Slavic-speaking ethnic group of mixed Baltic-Krivich origin, diversified in terms of religion (Catholics, Orthodox Christians, and pagans), whose representatives make up the military and political elite of the Grand Duchy of Lithuania. The author attributes the following characteristics to them: brave, harsh, cruel, stubborn, persistent, fierce, reckless, short-sighted, and unreasonable. These traits do not fully correlate with the current stereotypical perceptions of modern Belarusians about themselves, which had developed by the end of the 20th century.