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  • Eine magische Gemme mit Inschriften im Akademischen Kunstmuseum der Universität Bonn
    205–216
    Views:
    95

    The magical gem published here belongs to the Akademisches Kunstmuseum der Universität Bonn (Abb. 1–2.; measurements: 33 x 24 x 6 mm). It stems from the collection of Klaus Müller, who acquired it in the 1960th or 1970th. Obverse and reverse of the gem are filled with inscriptions, most of them consisting of unknown voces magicae, and possibly some meaningless letters to fill the space. On the obverse a prominent inscription invokes Eloe, that is Elohim, the Jewish God, who entered the magic pantheon like Greek and Egyptian ones and under the name of Iaō, even got an image in the figure of the cock-headed, snake-legged warrior. Eloe here means the great magic Sun god, as becomes apparent by Semese(ilam) in col. d 6. The reverse names Thoth, the Moon god. Thus the gem was an amulet for day and night, that is for ever. The bevel of the gem is left plain, so it could have been personalizied by an inscription, which was not the case; thus in its present form the gem was an amulet for every owner.

  • A gold lamella for ‘Blessed’ Abalala
    7–20
    Views:
    107

    This article examines a previously unpublished gold lamella of unknown provenance, datable on palaeographical grounds to the 1st century BCE, give-or-take a half century, either side. The tablet preserves three words written in Greek letters that may contain a GrecoPersian formula of protection in the afterlife for its bearer, Abalala, a name of pre-Islamic extraction. The study compares the formula with those on a number of shorter ‘Orphic’ gold lamellae to show that the tiny piece represents a ‘Totenpaß’ for the beneficent dead, rather than a protective charm (phylactery) with the usual voces magicae, although the distinction between magic words and meaningful text is not always clear in such instances.