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The cult of Glykon as a 'New Religious Movement'
Published July 12, 2020
147–160

This essay explores the integration of eastern religions into the Roman world during the early Empire by examining one particularly successful example, the Cult of Glykon, which became popular during the later second century and following. Drawing on the characteristics that social scientists have identified as most significant in contributing ...to the success of New Religious Movements (NRMs) in the recent past, the presence of these features in the Cult of Glykon is considered from the surviving evidence, including the satire Alexander or the False Prophet, which was written by Lucian of Samosata. As this discussion makes clear, the Cult of Glykon appears to have achieved some measure of success as a New Religious Movement in the Roman world because it possessed many of the same characteristics. They are, therefore, a useful starting point for exploring the integration of other religious groups in the Roman world.

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Fleeing Sisters: the Golden Age in Juvenal 6
Published September 1, 2020
271-280

The opening of Juvenal’s longest and maybe the most well-known poem, Satire 6, is based on the ancient concept of the “Ages of Man”, starting from the reign of Saturn and ending with the flight of the two sisters, Pudicitia and Astraea. The first part of this 24-line-long passage depicts the Golden Age by making use of two different sourc...es: the idealized Golden Age appearing in Vergil’s poetry among others and the prehistoric primitive world from Book 5 of Lucretius. The Juvenalian Golden Age, presented briefly in a naturalistic way, is a curious amalgam of these two traditions, being the only time in human history according to the poet when marital fidelity was unblemished. However, while reading Satire 6, it seems far from obvious that the lack of adultery should be attributed to higher morals.

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Epic meals: Who should read epic poetry in Rome?
Published August 10, 2020
195–201

In this paper, the presence of food and dinners in connection with epic poetry in three different Juvenalian poems is discussed. The first is Satire 4 containing a mock-epic, the plot of which revolves around a giant turbot that is described with epic-style elements, and that is given to the emperor Domitian characterized by uncontroll...ed gluttony. The other two poems, Satires 5 and 11, both focusing on dinner parties, are in connection with the epic genre as well: while in the closing poem of Book 1, several epic connotations appear in the description of the gluttonous Virro’s extravagant dinner, in Satire 11, the enjoyment of epic poetry is praised and compared to an almost pornographic dance performance in a luxurious feast. Reading the three poems together, it might be proved from another aspect that we have to make a distinction between the Juvenalian evaluation of topics described using epic-style elements and the epic poetry itself.

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