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• The Haughty Soul of the Avenger: The Myth of Lucius Brutus in the Aeneid (6,817–823)

  55–71.

  Ádám Rung

  Views:

  51

  In Book 6 of the Aeneid, Virgil constructs his own version of an epic Underworld and, innovatively, combines it with a panoply of future Roman heroes. This article focuses on the laconic introduction given to one of these heroes, Lucius Iunius Brutus, the founding father of the Roman Republic. More specifically, it examines the opening lines of a striking passage that, in an act of diction that has puzzled readers since antiquity, applies the adjective superbus to Brutus, rather than to his adversary, Tarquin the Proud, whose cognomen bears precisely this meaning. To interpret these lines, the article will attempt—using other literary versions of the work combined with comparative material from similar narratives—to reconstruct the traditional story of Brutus as it was known to Virgil and his contemporaries to determine, firstly, if this elucidates what such a retelling would have meant to the Augustan reader and, secondly, what its possible political and cultural implications would be if read with the traditional myth in mind.

• Lucius Brutus of Rome and Cypselus of Corinth

  27–44.

  Ádám Rung

  Views:

  276

  The story of Lucius Brutus, the founder of the Roman Republic has often been analysed as a historical story, somewhat mythicised, and embellished by literary tropes; and some have also interpreted it as primarily a myth, historicised by a later Roman culture more interested in the exemplary than in the marvelous. Starting out in the latter tradition, this article explores a connection that has been hinted at from antiquity, and has been analysed from the historical and historiographic perspective to some extent, but has not been interpreted in detail as a connection between two myths: the numerous parallels that the story of Brutus and the Tarquins, as told by Virgil, Livy and Ovid, has to the saga of the aristocratic Bacchiad and the tyrannical Cypselid families of early Corinth, as told by Herodotus and Aristotle. The newly discovered parallels (and the re-examination of the known ones) between these stories also invite the reader to reflect on the ways they might have evolved, their political and cultural functionality and on the complex interplay between myth and history.

• Waiting for the Sybil (Vergilius: Aeneis 6,14–41)

  43–53.

  Ágnes Darab

  Views:

  72

  The sixth book of Virgil’s Aeneid stands out from the text because it is the crystallization of the structural and allusive procedures that organize the text. The narrative of the founding myth of the Temple of Apollo in Cumae and the description of the reliefs decorating the temple’s gate, with the figure of the mythical architect-inventor-sculptor Daedalus in the center (6,14–41), were placed at a highlighted position within the key sixth book: at the beginning. Aeneid philology interprets the temple scene of the sixth book mostly from the point of view of ekphrasis, more precisely in connection with the other ekphrases in the Aeneid. In my paper, I will not concentrate on the interpretation of Daedalus’ reliefs, but on the entirety of the Cumae scene. Specifically from the perspective of the roles, I shall examine the layers of meaning that can be formed in the textual space of Aeneid around Aeneas’ scrutiny of the image during the time of waiting and around the narrator’s description of the image.