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• Lucius Brutus of Rome and Cypselus of Corinth

  27–44.

  Ádám Rung

  Views:

  101

  The story of Lucius Brutus, the founder of the Roman Republic has often been analysed as a historical story, somewhat mythicised, and embellished by literary tropes; and some have also interpreted it as primarily a myth, historicised by a later Roman culture more interested in the exemplary than in the marvelous. Starting out in the latter tradition, this article explores a connection that has been hinted at from antiquity, and has been analysed from the historical and historiographic perspective to some extent, but has not been interpreted in detail as a connection between two myths: the numerous parallels that the story of Brutus and the Tarquins, as told by Virgil, Livy and Ovid, has to the saga of the aristocratic Bacchiad and the tyrannical Cypselid families of early Corinth, as told by Herodotus and Aristotle. The newly discovered parallels (and the re-examination of the known ones) between these stories also invite the reader to reflect on the ways they might have evolved, their political and cultural functionality and on the complex interplay between myth and history.

• From Grief to Superbia: the Myth of Niobe in Greek and Roman Funerary Art

  281-296

  Bar Leshem

  Views:

  278

  The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography of each culture and to understand the reason for the shift in representation, while comparing the two main media forms.

• Fleeing Sisters: the Golden Age in Juvenal 6

  271-280

  Gergő Gellérfi

  Views:

  122

  The opening of Juvenal’s longest and maybe the most well-known poem, Satire 6, is based on the ancient concept of the “Ages of Man”, starting from the reign of Saturn and ending with the flight of the two sisters, Pudicitia and Astraea. The first part of this 24-line-long passage depicts the Golden Age by making use of two different sources: the idealized Golden Age appearing in Vergil’s poetry among others and the prehistoric primitive world from Book 5 of Lucretius. The Juvenalian Golden Age, presented briefly in a naturalistic way, is a curious amalgam of these two traditions, being the only time in human history according to the poet when marital fidelity was unblemished. However, while reading Satire 6, it seems far from obvious that the lack of adultery should be attributed to higher morals.