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• The Destruction of the City: Loss in the Greek and Roman Memory

  19-36

  Fanni Jancsovics

  Views:

  163

  The appearance of the ethnically “Other” naturally has an impact on a society’s own identity. It provokes the confirmation or rephrasing of identity. The loss and destruction caused by an ethnically “Other” group creates an especially deep conflict in the society’s self-definition. This paper focuses on such events and the collective memory concerning these, through the case study of the Persian sack in 490 BC and one hundred years later the Gallic siege of Rome.

• Lebensbeschreibungen der berühmtesten Maler, Bildhauer und Architekten. Antike Künstleranekdoten

  73–93

  Ágnes Darab

  Views:

  46

  The main source of the anecdotes about ancient painters, sculptors and architects is the Natural History of Pliny the Elder. The article focuses on the shaping of these stories from more approaches. The basis is the theory of the cultural memory. To broaden the scope of the analysis, Pliny's representation of the artists is compared with relevant passages from other writers. The paper determines the ancient types of the anecdotes of artist and tries to show the connection between the content and the age in which they were born.

• Commune sepulcrum: The ‘Catullan’ Memory of Troy in Vergil’s Aeneid

  247–260

  Péter Somfai

  Views:

  146

  In Roman literature, Troy appears as a locus memoriae on several occasions. As a locus memoriae is an image of a location’s past state, it inevitably recalls that past state’s absence in the present. Troy as a literary locus memoriae recalls its own present absence, that it is only a ruin, or – according to Lucan – even less than a ruin. In this context, a literary phenomenon, i. e. the depiction of Troy being the equivalent of the absence of/or the grief for the loss of something or somebody can later be traced in the Roman poetry. Catullus, mourning his brother’s death at Troy, calls the city the common grave (commune sepulcrum) of Asia and Europe in his carmen 68. Regarding Troy, several complex allusions can be noticed in Vergil’s Aeneid recalling both Catullus 68 and 101, the two poems that are in both thematic and intertextual connection with each other. The purpose of the present study is to examine – by means of analysing the above mentioned intertexts – what kind of special locus memoriae Troy becomes in the Aeneid. This will be of crucial importance to observe the way Troy later appears in Lucan’s Bellum Civile.