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• Oedipus Riddles

  131–140

  Andrej Preložnik

  Aleksandra Nestorović

  Views:

  89

  The paper discusses an interesting group of glass intaglios with the motif of Oedipus and the Sphinx. They are known from sites between the Adriatic, the Danube and the Black Sea, and occur in various colors and cuts, which suggests production in different molds or even workshops. Probably modeled on an intaglio made in an Italian officina gemmaria, the glass replicas may have been produced at Aquileia. The style points to the Late Republican or Augustan era, whereas the material of the glass copies and the funerary context from Aquincum show they were in use and probably produced till the 4 th century. The paper also discusses the possible meanings of the motif, from a simple illustration of the famous heroic adventure to a metaphoric depiction representing the mystic message of the key to a blessed afterlife.

• An execration formula from Lugo (Lucus Augusti)

  129–136

  Francisco Marco Simón

  Views:

  67

  Excavations in the Plaza do Ferrol in Lugo (Galicia, Spain) during 1986 brought to light a necropolis with cistae datable from the middle of the 1st. century to the end of the 3rd. On one of the funeral urns (with a typology pointing to the first half of the 3rd. century) a graffito was written with a formula execrationis invoking “two genii” or, more probably, Duagena to punish the possible looters. This theonym, a hápax, seems to belong to a Celtic chtonic goddess whose personality (“Born Dark”, or “Born from Darkness”) finds parallels in other magical texts (e.g. antumnos in Larzac).