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• From domestic apotropaic magic to state religion in the Roman world: ways there and back

  113–128

  Antón Alvar Nuño

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  102

  There are two main methodological approaches in relation to the study of apotropaic magic in the Graeco-Roman world. An historicist one, focused on the formal description of the data and on tracing their possible origins; and a psychologist-functionalist one, which interprets the data as a psychological relief to the anxieties produced by the misfortunes of dailylife. I propose to explore here an aspect of apotropaic magic frequently overlooked: its mutual relation with the religion of the State, which creates a common syntactic framework but also tensions and conflicts.

• To a beautiful soul. Inscriptions on lead mirrors (Collection of Roman Antiquities, Hungarian National Museum)

  101–113

  György Németh

  Ádám Szabó

  Views:

  117

  There is a collection of several hundred small Roman lead mirrors (former private collection) in the Hungarian National Museum. Greek or Latin inscriptions can be read on 17 mirrors. The present study publishes these items along with the drawings of the inscriptions. Such mirrors were found mainly in graves of women, functioning as escorts to the souls of the dead and as apotropaic amulets.

• A Jet Medusa Pendant from Aquincum/Budapest

  5–16

  Annamária R. Facsády

  Views:

  183

  A rare jet cameo-pendant with the representation of a Medusa-head came to light south of the canabae of Aquincum during the excavation of a section of the Roman cemetery. Among the jewellery carved from jet, pendants depicting the head of Medusa form a separate group. We know only 21 pieces without this jewel; all of them are distinctive, unique carvings. The pendant from Aquincum belongs to the group of ‘beautiful-pathetic’ Medusa-heads. It could have been made in the 3rd century, based on analogy and on the other grave-goods. There is a possibility that this type of jewellery was made for burials as an apotropaic object.

• Das Hin und Her der Blicke, Eidola in der Pupille Augenförmiger Gemmen: Liebesgeschenke mit Amulettcharakter?

  185–203

  Carina Weiss

  Views:

  107

  The presented group of late Republican to early Imperial intagli consists of round layered stones (sardonyx, cornelian onyx) with a flat reverse side, which are strongly convex on the front side. Their horizontally stacked and differently coloured plies are sanded on the front to form concentric rings around a dark centre. The motif incised in this centre looks like an eidolon in the pupil of a 'fisheye'. Most of these motifs can be interpreted against the background of Augustan love poetry. It is possible that gems of this kind were gifts of love and, due to their striking design as an eye, also had an apotropaic function.