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• The Presence and Importance of Beauty in the Byzantine Epigrams About the Cross and the Crucifixion of Jesus Christ: Some Basic Observations

  217–230.

  Anastasios Kantaras

  Views:

  322

  Scholar poetry, particularly the epigram, has been a literary means of expression not only of ideas and attitudes about life but also of religious sentiment and profound religious faith. Delving into the epigrams of the second category, particularly those related to the Cross and the Crucifixion, our attention will be focused on the presence of beauty, its meaning, and the role it played within the category of Byzantine epigrams. The aim of this article is to identify relevant epigrams (by anonymous or known writers), make some basic observations and reach certain conclusions regarding the issue of beauty.

• Byzantine epigrams on the Crucifixion of Jesus Christ.: The case of Georgios Pisides

  Anastasios Kantaras

  Views:

  296

  This article is dealing with issues of the Cross alongside the epigrams related to the Crucifixion written by a distinguished Byzantine scholar of the 7th century, Georgios Pisidis, focusing our attention and scope on particular aspects of those epigrams such as the possible influences and impact from literary texts previously and later written and most noticeable motifs.

• Honesty, Shame, Courage: Reconsidering the Socratic Elenchus

  197-206

  Giulia Fiore

  Views:

  401

  The elenchus (gr. ἔλεγχος, literally “argument of disproof”, “refutation”, “cross-examining”) is the core of the Socratic method represented by Plato in his early dialogues. This enquiring technique, employed by Socrates to question his interlocutors about the nature or definition of ethical concepts, is the object of a never-ending scholarly debate, concerning especially its primary purpose: is it a positive method, leading to knowledge, or is it rather a negative method, aiming exclusively at refuting the interlocutor’s belief? This paper, through the analysis of some key passages in Plato’s early dialogues, focuses on the structural features of the elenchus in order to understand how the elenctic refutation is developed, why Socrates chooses a dialectical method often ending in aporia, and whether the Socratic method can be considered, not merely an instrument aiming at the recognition of one’s ignorance, but primarily a positive search for knowledge.