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• The Gems in the Ustinow Collection, Museum of Cultural History, University of Oslo

  101-141

  Tamás Gesztelyi

  Views:

  208

  Scientifically, the collection’s primary importance is its Middle-Eastern origin; collections of gemstones from the Middle East have rarely been published unlike those from European archaeological sites. Thus the possibility opens up to compare finds from the eastern and western parts of the Roman Empire with a focus on similarities and differences. While in the western provinces the gemstones typically spread during the era of the Roman Empire, in the eastern provinces the use of seals and gemstones goes back several thousand years. It follows that in the western regions, representations of the official themes of the age of the emperors, including the characteristic figures of gods of the state religion (Jupiter, Minerva, Mars, Venus Victrix), are the most common. In contrast, the eastern provinces saw the spread of representations of local gods (Zeus Ammon, Zeus Heliopolitanos, Sarapis) or the Hellenistic types of the Greek gods (Apollo Musagetes, Aphrodite Anadyomene, Hermes Psychopompos). However, there were figures of gods that were equally popular in both regions, such as Tyche–Fortuna, Nike–Victoria, Eros–Amor, Dionysos–Bacchus, Heracles–Hercules. Each of these became rather popular in the Hellenistic World, spreading basically spontaneously throughout the entire Roman Empire. There was a similar unity in the popularity of represenations of animals, too.
  The eastern region was, however, characterised by the relatively large number of magic gemstones. There is a piece among these which has no exact analogy (Cat. 69) and its analysis sheds new light on the previous interpretation of similar pieces. The popularity of magic gemstones is highlighted by the fact that some of their motifs became distorted beyond recognition in the popularisation process. Understandably, Sasanian gemstones and seals, which revived the Romans’ dying custom of sealing for some time, were also typical of the eastern regions. What is conspicuous is that the stone cameos (agate, sardonyx) so common in the western regions are completely missing from the collection, while there is a fair number of glass cameo pendants made in the eastern regions.
  From an educational and community cultural aspect, the significance of the Ustinow collection lies in the fact that it represents several historical and cultural eras between the fourth century B.C. and the fifth century A.D. for the benefit of the interested public, private collectors, and students of archaeology and the antiquities. The gemstones may be small, but the representations on them can be extraordinarily rich in meaning. With adequate enlargement and due professional expertise, which this catalogue aims to promote, all this information can come to life in front of us, allowing us a glimpse into the lives and thoughts of the citizens of a Mediterranean world two thousand years back.

• The Destruction of the City: Loss in the Greek and Roman Memory

  19-36

  Fanni Jancsovics

  Views:

  172

  The appearance of the ethnically “Other” naturally has an impact on a society’s own identity. It provokes the confirmation or rephrasing of identity. The loss and destruction caused by an ethnically “Other” group creates an especially deep conflict in the society’s self-definition. This paper focuses on such events and the collective memory concerning these, through the case study of the Persian sack in 490 BC and one hundred years later the Gallic siege of Rome.

• The rules of the game: constructing power in rhizotomic practice

  45–68

  Richard Gordon

  Views:

  53

  The growth of contemporary interest in ethnobiology and -botany legitimates an attempt to historicise the activities and claims of ancient rhizotomists, ‘root-cutters’, i.e. individuals who made themselves specially knowledgeable about the medicinal and other values of plants (mainly wild) and animal-parts. These men and women hardly formed a coherent group in fact, but may be treated as such for heuristic purposes. One model for historicising them is to locate them between family or household medicine on the one hand, and the increasingly complex market in health-care that developed in the Greek world from the fifth century BCE, and continued to grow in complexity throughout the Hellenistic and Roman periods. We can suggest two ways in which rhizotomists responded to this market pressure: experimentation and the construction of the marvellous through complex rules of collection. These rules covered gathering, body movements, offerings to the herb or the earth, addresses to the herb, and close temporal specifications – these latter lent themselves in turn to exploitation by literate rhizotomists in terms of occult schemes. We may use Searle’s distinction between regulative and constitutive rules to interpret these moves.

• Le navire de la république – le navire de l’amour: L’individualisation d’une allégorie collective. (Sonnet LV de Ronsard)

  159–173

  Etelka Szabó

  Views:

  58

  Pierre Ronsard’s sonnet constitutes a very creative re-interpretation of an ancient allegory (the sea of Love) which is considered to be one of the more important amatory figures. This allegory featured in both Greek and Latin from earliest until latest times, employed in several genres of verse, which reached an advanced stage of development in the hands of Ronsard. The purpose of this paper is providing a comprehensive and detailed study of the idealized cognitive model of the sea of Love from the archaic period until Renaissance, based on Ronsard’s sonnet.