Keresés

Keresési eredmények

• Economisch belang en persoonlijk voorkeur: De rol van het vertalersechtpaar Székely-Lulofs in het cultureel transfer

  75-94

  Pusztai Gábor

  Megtekintések száma:

  78

  The Dutch writer Madelon Székely-Lulofs and her husband László Székely played a very
  important role in the cultural transfer between the Netherlands and Hungary in the thirties
  of the 20th century. They have translated several works of Dutch and Hungarian writers
  and wrote novels about the Dutch-East Indies. They chose writers who were successful
  and well-known for their translations. Commercial success and personal interests also
  played a role in their choice of works to translate. As a results the works of Lajos Kassák,
  Sándor Márai, Ferenc Molnár, Lajos Zilahy, Jolán Földes, Mihály Földi, Zsolt Harsányi,
  Ferenc Körmendi and Gábor Vaszary were translated in Dutch. Books of Piet Bakker, Jan
  de Hartog, Ary den Hertog, Klaas Nore and Anton Coolen were translated in Hungarian.

• Relations architecturales entre le château de Hunedoara et le Palais des Ducs de Bourgogne de Dijon au milieu du XVè siècle particulierement en matière des naissances des voûtes*

  65-87

  Fehér Krisztina

  Megtekintések száma:

  54

  The large-scale similarity of two historical buildings or their ornamental elements tends to raise the question of the relation and transfer of their master builders. Besides the decoration, if the designing and constructing principles of the structural elements represent analogies, this question is of even higher relevance. Regarding the medieval history of architecture of Hungary, the cooperation of foreign masters, the import of Western European knowledge and practice can be considered as frequently general. Royal or noble residential buildings of political partners are likely to show the architectural effects of cultural relations as well. Several structural points of the 15thcentury governor palace of János Hunyadi in Hunedoara are parallel to those of the palace and tower of Philippe the Good, Duke of Burgundy in Dijon. Among these structural elements, the question of the shoulder of the vaulting (tas-de-charge) is of high importance. The personal touch of the two contemporaneous personalities cannot be proved by historical sources, that could confirm their artistic relation suggested by their residential buildings, it is quite sure, however, that the mutual direction of their political intentions could have established their sympathy.

• “Houd moed: Kijk naar Nederland. / Kijk naar zijn vorstin! Je bent niet langer wees.”: Het “Hongaarse raam” in het Nederlandse koninklijke paleis

  151-187

  Réthelyi Orsolya

  Megtekintések száma:

  60

  “Do not lose heart: Look at The Netherlands. / Look at its queen! You are no longer
  orphaned.”: The Hungarian window in the Dutch royal palace During a festive gathering on 21 December 1923 in the Dutch Royal Palace of Noordeinde in The Hague, a small group of delegates from the Hungarian-Dutch Society from Hungary presented a stained-glass window as a gift to Queen Wilhelmina for the 25th anniversary of her ascension to the Dutch throne. The magnificent stained-glass window in Art Nouveaustyle (202 x137 cm) made by Miksa Róth and Sándor Nagy, with an unconventional representation of the queen was given to her as a token of gratitude for the relief project arranged for children after the First World War. According to the information of the National League of Child Protection, between 1920 and 1930 28,563 Hungarian children from impoverished families were taken to the Netherlands for a holiday with Dutch foster parents. The window is kept today on the first floor of the west wing of the Palace, but the event and its significance is largely forgotten in the historiography of Hungarian ‒ Dutch relations. In this article, the pieces of the puzzle concerning the artistic object itself, the historical circumstances of the gift-giving, the intermediaries and the symbolic message are assembled, to reveal the working and complexity of cultural transfer. It is argued that the metaphor of Queen Wilhelmina, as the mother of the Hungarians, articulated on different levels of symbolic representation and communication can be seen not only as a sign of gratitude. This image should also be understood as an unspoken wish that the apolitical objectives of the relief actions would also indirectly support a political agenda, and that the personal and institutional contacts would lead to greater understanding of the Hungarian efforts to moderate the excessive punishment under which the country was suffering as result of the Treaty of Trianon.