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The Murdochian Moral Vision and the Art of Contemporary Cinema
Published June 28, 2020

Book review:

Bolton, Lucy. Contemporary Cinema and the Philosophy of Iris Murdoch. Edinburgh: Edinburgh UP, 2019. 228 pages. ISBN 9781474416399. Pbk. £75.00.

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Irish Native Autobiography: Tomás O’Crohan’s The Islandman
Published June 24, 2020

The paper addresses Tomás O’Crohan’s The Islandman (1929) as a representative of Irish native autobiography. The genre, it is argued, best defines the specificity of O’Crohan’s work, since it well delineates the complexity of its creation process involving an author, an editor, and a translator. Furthermore, the reading of ...>The Islandman as Irish native autobiography sheds a new light on the text as capturing Walter Benjamin’s media shift from oral to written tradition observable at the beginning of the twentieth century. Tomás O’Crohan manages to converge the art of storytelling with a new genre of autobiography thanks to many foreign influences, especially Maxim Gorky’s life-narratives. Consequently, The Islandman, contrary to the traditional understanding of the work as purely Irish, thus free of any outside leverage, emerges as a cosmopolitan text which, similarly to other European literary works of the time, successfully adapts the oral heritage to a new form of autobiography.  

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