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• World Enough and Time

  W. A. Senior

  Views:

  85

  Book review:

  Morse, Donald E. It’s Time: A Mosaic Reflecting What Living in Time is Like. Debrecen: Debrecen UP, 2022. 326 pages. ISBN 978-963-615-004-4. Open Access E-book and Pbk. HUF 4,000.

• Editor's Notes

  Donald E. Morse

  Views:

  58

  Editor's Notes

• In Memoriam: Sam Shepard

  Donald E. Morse

  Views:

  57

  In Memoriam: Sam Shepard

• The Aging of the “Youngest People in Europe”

  Donald E. Morse

  Views:

  69

  Book review:

  Ingman, Heather. Ageing in Irish Writing: Strangers to Themselves. Cham: Palgrave Macmillan, 2018. 209 pages. ISBN 978 3 319 96429-4. Hb. €74.89.

• "The Very Seeds of Fire”: Chris Lee’s The Map Maker’s Sorrow

  Donald E. Morse

  Views:

  47

  Chris Lee’s The Map Maker’s Sorrow (1999), produced at the Abbey Theatre only six years after Ireland decriminalized suicide, proved prescient in focusing on this national health problem among the young. The very structure of the play mirrors the fragmentation and messy aftermath that suicide almost inevitably produces. The abrupt beginning, where a character that the audience does not know and cannot know kills himself, leaves the audience in a position similar to that of survivors who find a suicide. Drawing on the work of Ludwig Binswanger, Kay Renfield Jamison, and national studies of suicide the essay argues that young Jason’s suicide represents a direct challenge to life understood as an orderly progression from birth to death and as an attempt to deny the very premise of lived life itself. (DEM)

• Editor's Notes

  Csilla Bertha

  Views:

  38

  Editor's Notes

• Experimental Dramaturgy, Intellectual and Art-related Subjects in Irish Theatre

  Mária Kurdi

  Views:

  55

  Book review:

  Woodward, Guy, ed. Across the Boundaries: Talking about Thomas Kilroy. Dublin: Carysfort Press, 2014. 112 pages. ISBN 978-1-909325-51-7. Pbk. €25.00

• The Destructive Potential of the Imagination

  Don Gifford

  Views:

  150

  Two contrary concepts dominate our understanding about human imagination—this all-but-undefinable human faculty. While one tradition contrasts the creativity of the imagination, on the one hand, and the perception of reality, on the other—often suggesting that fact (reality) and fiction (imagination) are mutually exclusive—the counter-tradition defines imagination as integral to the creation/perception of reality, what Edith Cobb calls the “preconfigurative imagination.” Drawing on these theoretical-philosophical considerations, the essay takes an interdisciplinary approach to probe the inherently adverse nature and the destructive potential of the human imagination in action. With examples from literature, cultural history, politics, and diplomacy the analysis offers the case in point and demonstrates the ways destructive imagination, impervious to rational argument, may render our ability void; as Henry James put it in “The Art of Fiction,” “to guess the unseen from the seen, to trace the implication of things, to judge the piece by the pattern.” (ÉM)

• In Memoriam Tom Murphy (1935-2018)

  Csilla Bertha

  Views:

  54

      

• Introduction

  Mária Kurdi

  Views:

  82

  Introduction to the Special Section: Negotiating Aging and Ageism in English-Speaking Fiction and Theatre

• Alternative Readings of J. M. Synge’s Drama Predicated on Archival Material

  Mária Kurdi

  Views:

  67

  Book review:

  Collins, Christopher. Theatre and Residual Culture: J. M. Synge and Pre-Christian Ireland. London: Palgrave Macmillan, 2016. 301 pages. Hb. ISBN 978-1-349-94871-0. €106.99.