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• Alligators in the Sewers: Urban Legends about Terrifying Animals and Frightening Places

  7-29

  Éva Mikos

  Views:

  100

  The aim of the present study is to provide an overall picture of the nature of urban folklore using the “Alligators in the Sewers” urban legend type circulated in both the Hungarian and international press and by word of mouth. While contemporary legends have attracted only sporadic attention in Hungarian research to date, by illustrating the historical development of this legend type the aim of the present case study is to demonstrate how the phenomenon has existed in the Hungarian press for almost 200 years.

  The present study attempts to identify the kind of opportunities for interpretation offered by these stories in the field of folkloristics; the extent to which they are relevant beyond their literal meaning; and the ways in which they shed light on modern-day understandings of the world. Giant reptiles that are not indigenous to Europe are terrifying to the average individual, while at the same time they evoke a yearning for the natural world in city dwellers trapped amid concrete walls. Urban sewers and storm drains hold similar terrors: on the one hand, they are there to remove filth and symbolize the more unsavory aspects of urban life, while on the other hand their hidden presence beneath the ground offers ample opportunity for the projection of numerous fantasies. Animals that lurk in the sewers, from where they emerge to attack people, are manifestations, contained within simple, traditional narrative frameworks, of the murkiness of highly structured societies and of the sense of danger that this opacity engenders in us. The emergence and persistence of such stories can be attributed to a number of social practices, such as circuses, sideshows, and the keeping of reptiles as pets, along with the respective press reports and rumors.

• The expulsion as historical turning point in the religious and cultural life of the German-Hungarian village Budaörs/Wudersch?

  87-118

  Viktória Muka

  Views:

  159

  The expulsion of the German minority in Hungary at the end of World War II started on the 19th of January 1946 in the small village Budaörs/Wudersch close to the capital Budapest. The village has become well-known in the interwar period for its flower carpets prepared for the feast Corpus Christi, made by its German-speaking population until over 90% of the inhabitants were forced to leave the country for the American occupation zone of Germany, a moment that has been long established as the historical turning point in the history and culture of the German minority in Hungary. The expulsion thus divides the tradition of making flower carpets for Corpus Christi into two eras. Previous research has often struggled with connecting these two eras with each other, when analyzing the development of the feast. The main goal of the research paper is to describe the situation of the Catholic Church in Hungary in the times of transition to Socialism, both on national and local level and to deconstruct the idea of the year 1946 being the one and only possible turning point when considering the changes in the tradition. A newly found source in the Esztergom Primatial Archives, an album with photos taken of the flower carpet in 1948, a present made for Cardinal Mindszenty, shows that the route of the procession has stayed the same, although changes in the number of observants and the lack of women wearing the traditional costume of Budaörs can be observed. These findings demonstrate a continuity of tradition and village life, straddling the supposed divide, and hence suggest a re-interpretation of the feast’s significance as demonstration of the catholic inhabitants’ resistance to the slowly establishing soviet system.