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• Epigrafía pública y defixiones: paradigmas (y paradojas) del Occidente Latino

  69–77

  Celia Sánchez Natalías

  Views:

  125

  This paper falls into two main sections. The first deals with the defixio and its traditional definition as an example of so-called private inscriptions. Unlike public epigraphs, which were monumental, crafted by professionals, intended for display, and had (mainly) a commemorative function, defixiones (whether written by magoi or amateurs) are usually considered to be among Antiquity’s most private texts. Nevertheless, curse tablets and public inscriptions share a very important feature: both contained messages meant to endure. This specific feature brings us to the second section of this article, which discusses the influence of public inscriptions on curse tablets: to what extent are defixiones a reflection of monumental epigraphy? Aspects such as the ordinatio of the text, the media employed or the way they were displayed (even inside a tomb) are analyzed in this regard. In an attempt to answer these questions, three publicly displayed curse tablets are discussed in depth.

• Escribiendo una defixio: los textos de maldición a través de sus soportes

  79–93

  Celia Sánchez Natalías

  Views:

  74

  The aim of this paper is to analyze binding curse tablets found in the Latin West from a material perspective, in order to rethink their multifaceted nature, since sometimes – but not always – defixiones are inscribed pieces of lead.